Queering Technique, Reclaiming Space, & Decolonizing the Body
Jay Carlon
Wednesday, Jul 14 2021
6:30 PM - 8:00 PM
$11-$33 sliding scale via Venmo or PayPal. No one turned away for lack of funds Register

Bookings are closed for this event.

What a title, huh?  This class is a synthesis of my evolution and [re]discoveries as a movement artist navigating the white-contemporary artworld as a queer, colonized body.



We will focus on integrating attunement of external influences (architecture and space) with internal sensory embodiment.



Participants will be asked to privilege imagination, tap into cellular awareness, practice doing-and-undoing, and rediscover primal presence and awareness.



Born and raised on California’s Central Coast, Jay Carlon’s work is inspired by growing up the youngest of 12 in a Filipino, Catholic, and agricultural migrant-working family. In 2016, he formed CARLON. He is committed to connecting his art practice to sustainability and his personal and collective  journey of decolonization.Jay’s work has been presented in Los Angeles at REDCAT, The Broad Museum, Los Angeles Dance Project, Annenberg Community Beach House, LA Dance Festival, Electric Lodge, Los Angeles Performance Practice, homeLA, and Beach Dances; in New York at 92ndY and The CURRENT SESSIONS; in Phoenix at Breaking Ground Festival; in Monterrey, Mexico at Espacio Expectante; and in Bangkok, Thailand at Creative Migration. Jay is a performer and directing associate with aerial spectacle theatre company Australia’s Sway Pole, where he has performed at the 2014 Olympics, the 2016 World EXPO, and the 2018 Super Bowl. Carlon has also performed with the Metropolitan Opera at Lincoln Center, Palissimo, Oguri, No)one. Art House, and danced for Rodrigo y Gabriela on Jimmy Kimmel Live (choreographed by Annie-B Parson), in Solange Knowles’ art film Metronia (2018) choreographed by Gerard & Kelly, and served as Choreographic Associate for Kanye West’s opera, Mary (2019).

Upcoming Events in the Series:

Photo Credit: Jonathan Potter
Photo Credit: Jonathan Potter
Photo Credit: Jonathan Potter